There are countless films that attempt to portray family figures who are close to the hearts of the filmmakers, and there are also many that depict the sea, sailors or fishing boats. Using these seemingly ordinary elements, the Galician filmmaker Adrián Canoura crafts a multifaceted and highly original film about love for a father who has devoted his life to the sea. From the vessel on which his father worked for thirty years, and through archival material, images shot by Canoura, postcards from his childhood and much more, the filmmaker gradually constructs a tangible space of intimacy in which the two converge and can reveal themselves and see one another as they truly are. Fomos ficando sós recaptures a lost time in which music and various visual formats ultimately embrace the relationship between a son and his father. (NC)
2025 - IDFA -
2026 - Punto de Vista -
2025 - DocumentaMadrid (Corte Final) -
He was born in 1991 in Burela, Galicia. Recognised as a rising talent by the Galician Audiovisual Academy in 2018, he describes himself as a filmmaker and/or video artist. Caerán Lóstregos do Ceo, a 2018 film, was included by the prestigious avant-garde film critic and theorist Nicole Brenez as one of the best works of that year. His work currently focuses on live audiovisual production for the band Baiuca, with whom he performs at the country’s most important venues, as well as at various festivals around the world, such as Marrakech, Bogotá, Quito, Milan, Paris, etc. Fomos ficando sós is his first feature film.