Afterlives

Afterlives
Kevin B Lee
Belgium, France, Germany
88
Spanish Premiere
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Afterlives
Synopsis

For years, Kevin B. Lee has been revealing the latent violence in every image and the ideological ambiguity of all audiovisual discourse. Never before have we had access to so many images, and never before has there been such a lack of diversity of ideas. And Kevin B. Lee does it without ever leaving his computer screen, in real time, like a private detective of the digital age. But in his quest to uncover the truth hidden behind every image, he ends up discovering an invisible thread that leads us from today’s multimedia universe to yesterday’s colonial past. An essential essay in these times of post-truth and post-lies. (LEP)

Festivals

2025 - DOCLISBOA - NEW VISIONS
2025 - BFI London - experimenta special presentation
2025 - Stockholm IFF - International competition
2025 - Filmmaker Fest -
2026 - Prismatic Ground (yet not announced) -

Director biography

Kevin B Lee
Kevin B Lee

Kevin B. Lee is a filmmaker, media artist, and critic. He has produced over 360 video essays exploring film and media.
His award-winning Transformers: The Premake introduced the “desktop documentary” format, was named one of the best documentaries of 2014 by Sight & Sound and screened in many festivals including Berlin Critics Week, Rotterdam International Film Festival and Viennale International Film Festival.
Through Bottled Songs, his collaborative project with Chloé Galibert-Laîné, he was awarded the 2018 Sundance Institute Art of Nonfiction Grant, the 2018 European Media Artist Platform Residency, and the 2019 Eurimages Lab Project Award at Karlovy Vary International Film Festival.
He was 2017 Artist in Residence of the Harun Farocki Institut in Berlin. In 2019 he produced Learning Farocki, a series of video essays on Harun Farocki, commissioned by the Goethe Institut. In 2020 he is co-curating the Black Lives Matter Video Essay Playlist with Will DiGravio and Cydnii Wilde Harris.
He was Founding Editor and Chief Video Essayist at Fandor from 2011-2016, supervising producer at Roger Ebert Presents At the Movies, and has written for The New York Times, Sight & Sound, Slate and Indiewire. He is Professor of the Future of Cinema and Audiovisual Arts at Università della Svizzera Italiana in Lugano in corporation with the Locarno Film Festival.

Sessions

May

Thursday 28
21:00 h
CINETECA. Sala Plató

Credits

Language
English, German - Subtitles in spanish and english
Director
Kevin B Lee
Production
Caroline Kirberg
Cinematography
Ginan Seidl
Editing
Janina Herhoffer
Sound
Laszlo Umbreit
Music
Maya Shenfeld
Voice
Kevin B Lee