This beautiful film essay is a love song to celluloid, for its ability to capture reality, light, shapes, the everyday nature of small gestures, and to withstand the passing of time. In this world in which our rushed lives are inundated with digital technologies and hyperconnectivity, Pakalnina makes a claim for unhurried observation, the ability to see how we physically and emotionally relate with our surroundings and those who inhabit it, and how analog devices hold the ability to return us to a more human sense of time and existence. (JFM)
- Visions du Reel international documentary film festival, Nyon (Switzerland)
- Lima Alterna Festival Internacional de Cine (Peru)
- European Film Festival, Palic (Serbia)
- Black Canvas Festival de Cine Contemporáneo, (Mexico)
- Festival Internacional de Cine Independiente de La Plata Festi-Freak (Argentina)
Laila Pakalnina graduated from the Moscow Film Institute (VGIK), Department of Film Direction, in 1991. A director and scriptwriter of 31 documentaries, 5 shorts, and 6 fiction features, altogether she has 42 films, 2 children, 1 husband, 2 dogs and 2 bicycles. And many ideas for new films. Her films have screened in official programmes at Cannes, Venice, Berlinale, Locarno, Karlovy Vary, Rome, Tallinn and other international festivals, where they have won numerous awards.