Nān o Kūcheh

Bread And Alley
Abbas Kiarostami
Iran
10
Spanish Premiere
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Synopsis

“The mother of all my films,” according to Abbas Kiarostami, starts out as a breezily observed anecdote about a boy wending his way home through Tehran alleys carrying a loaf of bread. Variations on both the boy and the old man he sees and begins to follow will factor into future Kiarostami films, as will the use of “dead time,” the journey structure, and the poetic articulation of space. The final scene, involving a dog and a door, ends things on a note of wry ambiguity.

Director biography

Abbas Kiarostami

Kiarostami studied Fine Arts at the University of Tehran, worked as a graphic designer and then joined the Institute for Intellectual Development of Children and Young Adults, where he set up the filmmaking department. That is where his film career started, at the age of 30, with the neorealist short film Bread and Alley. In 1969 he married Parvin Amir-Gholi, whom he divorced in 1982; he has two children: Ahmad (1971) and Bahman (1978). Kiarostami belongs to the generation of filmmakers who started the renowned Iranian New Wave, which began in the 1960s and became popular in 1970. This movement created innovative artistic films that were highly philosophical and political in nature; some using realism, others through metaphor. He was also a poet; he published a collection of verse in 1999.

Finished

Sessions

May

Saturday 29
19:45 h
CINETECA - Plató

Credits

Language
No dialogue
Director
Abbas Kiarostami