Camera Lucida: For a Collective Dream

Tambaku Chaakila Oob Ali

If cameras have memory, it could be said that cameras reflect, that is, they create visions of the world. The Camera Lucidas section is dedicated to films that help us understand an increasingly turbulent world, where the barrage of images creates a network that makes a single vision of the world less and less discernible. In the face of this barrage of silent images, we must look for images that think about the society around us, about the place we leave behind, about the world we are heading towards. Camera Lucidas brought the outside world into rooms of painters. For this reason now more than ever, we must advocate for films which bring us closer to that which is remote, whether it be History or lost forms of socialization.

We live in a time where hyper-connection and social networks are creating unprecedented and unthinkable balances, which are crystallized in musical, artistic and literary creation.  Cinema, however, as an art form created collectively, has rarely been thought of as collective in origin. For this reason, a mirror must be opened up to show how film collectives have always been synonymous with political engagement, formal commitment and a desire for social intervention. Camera Lucidas: For a Collective Dream shows an underground genealogy of many filmmaking practices emerging today.

Programmeof Camera Lucida: For a Collective Dream

 
Showing 1 - 7 of 7
Finished
20 1985
Grupo Chaski
Alejandro Legaspi
Stefan Kaspar
María Barea
Fernando Espinosa
Finished
Is this Just a Story?
25 1983
Colectivo Yungatar
Finished
68 1977
Digitalizadora de la Memoria Colectiva
Finished
42 1982
Alejandro Legaspi
Margreth Noth
Stefan Kaspar
Fernando Barreto
Fernando Espinoza
María Barea
Grupo Chaski
Finished
Maid Servant
25 1981
Colectivo Yungatar
Finished
Tobacco Embers
25 1982
Colectivo Yungatar
Finished
The KKK Boutique ain´t Just Rednecks
77 1994
James Hatch
Camille Billops