From the Feminine Film Series

From the Femenine

This series features a variety of viewpoints through the different themes, forms and cultural issues used by eight extraordinary directors from Brazil, Colombia, France, Spain, Lebanon and the United States. From the emotional, personal and domestic to the political, ethical and social; these eight feature films shed light and dignity onto resource shortages, economic and gender inequality, onto the struggle against patriarchal violence through their empathetic eyes, the patience when deciding on the duration of a shot, the strength of courage when choosing a subject matter, and the skillfulness in the introspection of the documentary screenplay.

The Galician Xiana do Teixeiro invites us to call out the latent violence silently lurking inside us in Tódalas mulleres que coñezo, and Ekhiñe Etxeberria depicts teenage identity in Mikele, a refreshing confessional portrait. Carmen Torres reflects on getting abandoned by her biological mother and other possible futures in the Colombian Amanecer, and Carolina Astudillo engages in a masterful and generational dialogue in Ainhoa: Yo no soy esa

In I Used to Sleep on the Rooftop, the Lebanese director Angie Obeid patiently observes as time freezes while waiting for a visa to an uncertain future, while Brazilian director Juliana Antunes pulls us in close to the intimacy shared by two friends with common difficulties and dreams built on favela bricks in Baronesa.

Every image and word in Djamilia, shot in super 8mm by the French director Aminatou Echard, rides among mythology, tradition and poetic denunciation through the literary heroine in Kyrgyzstan; while the American Yours in Sisterhood by director Irene Lusztig invites us to participate in the history of American feminism through letters sent in to a magazine by readers in the 70s and 80s.

These films reflect on love, patriarchy, tradition, fear, personal improvement, family and freedom, open to all audiences. The melody of different voices from the female protagonists and echoed by the directors with whom they have collaborated sings a universal story of resistance and artistic excellence that resonates more powerfully today than ever. 

Ruth Somalo

From the Feminine Film Series

 
Showing1 - 8 of 8
Finished

Ainhoa: Yo no soy esa

Ainhoa: That's Not Me
Carolina Astudillo
Country
Spain
Year of filming
2018
Duration
98'
Projection days
May: Fri-4 (19:00)
May: Sat-5 (22:00)
May: Mon-7 (22:00)
May: Wed-9 (19:00)
May: Thu-10 (19:00)
May: Sun-13 (17:00)
Finished

Amanecer

Dawn
Carmen Torres
Country
Colombia, Spain
Year of filming
2018
Duration
79'
International Premiere
Projection days
May: Sat-5 (19:00)
May: Mon-7 (19:00)
May: Thu-10 (20:45)
May: Fri-11 (22:00)
May: Sat-12 (19:00)
Finished

Baronesa

Baroness
Juliana Antunes
Country
Brazil
Year of filming
2017
Duration
70
Projection days
May: Sat-5 (12:00)
May: Fri-11 (19:00)
Finished

Djamilia

Jamila
Aminatou Echard
Country
France, Kyrgyzstan
Year of filming
2018
Duration
84
Projection days
May: Sat-12 (19:30)
May: Sun-13 (12:00)
Finished

Kenet nam 'al sateh

I used to sleep on the rooftop
Solía dormir en la azotea
Angie Obeid
Country
Lebanon, Qatar
Year of filming
2017
Duration
61
Projection days
May: Sun-6 (12:00)
May: Fri-11 (21:30)
Finished

Mikele

Ekhiñe Etxeberria
Country
Spain
Year of filming
2017
Duration
45'
World Premiere
Projection days
May: Sun-6 (18:00)
May: Thu-10 (17:00)
May: Thu-10 (19:00)
May: Fri-11 (19:00)
May: Fri-11 (19:30)
May: Sat-12 (19:00)
Finished

Tódalas mulleres que coñezo

All the Women I Know
Todas las mujeres que conozco
Xiana do Teixeiro
Country
Spain
Year of filming
2018
Duration
71'
Projection days
May: Fri-4 (19:30)
May: Sun-6 (22:00)
May: Sun-13 (21:30)
Finished

Yours in Sisterhood

Siempre tuya en hermandad
Irene Lusztig
Country
United States of America
Year of filming
2018
Duration
101
Projection days
May: Sat-12 (12:00)
May: Sun-13 (12:00)