What if statues could talk? What if they decided to move? Between essay, documentary and fiction, Athenian filmmaker Daphne Heretakis immerses us in a playful and political exploration of immobility, the weight of the past and the need for insurrection. A caryatid escapes from the museum, steals a leather jacket and gets lost in the streets of Athens while reading Barthes and Marx.
Through beautifully scripted moments, street interviews, musical fragments and historical texts, the film questions the meaning of art and cultural heritage in a Greece trapped in nostalgia and suffocated by tourism. Inspired by Yorgos Makris' manifesto, which proposed blowing up the Parthenon, Heretakis seeks a way to resist: by not turning ourselves into statues. (RS)
2024 - Cannes Film Festival - Semaine de la Critique
2024 - Sarajevo Film Festival - International Documentary Competition - Jury Prize
2024 - Festival dei Popoli - Discoveries Section - Best film
2024 - Silhouette Film Festival - Grand Prize
2024 - DOK Leipzig - International Competition
Daphne Heretakis studied at Paris 8 University, where she graduated with a Master’s degree in documentary filmmaking, and at Le Fresnoy national studio for contemporary art. Her films tread a fine line between documentary and fiction, blending intimacy and the collective, and has been presented in many festivals such as Semaine de la Critique, Cannes, IFFR, Hors Piste Pompidou, Sarajevo Film Festival, etc. She lives and works between France and Greece.