In his essay Why do we look at animals?, John Berger states that zoos are "monuments to the impossibility of encounter" between human and non-human species: the epitaph of a relationship. After centuries during which their very existence was disputed, they were transformed into conservation and rescue centers. Monólogo colectivo is an up-close portrait of a community of caregivers who entangle their lives with those of the animals, a secret union guided by devotion. Caring means opening up the senses, abandoning the primacy of sight and hearing, activating touch and smell. Animals put human stability under stress and the mystery of their gaze is not revealed by the camera trap. What bonds can we make with non-human species? Can we think like them? Perhaps it is not about understanding them, but rather of imagining other poetics (and politics) of attention. (PB)
2024 - Locarno Film Festival - Concorso Cineasti del Presente - Official Section
2024 - SSIFF - Festival de San Sebastián - Zabaltegi-Tabakalera - Special Mention
2024 - TIFF - Toronto International Film Festival - Wavelengths
2025 - IFFR - Rotterdam International Film Festival - Harbour
Jessica Sarah Rinland is an Argentine-British artist filmmaker whose work has been shown at film festivals and galleries internationally winning numerous awards. Her most recent film Monólogo Colectivo premiered at Locarno Film Festival, winning a Special Mention at San Sebastian Film Festival.