Between portrait and landscape, a beautiful tribute to the Scottish filmmaker and poet Margaret Tait (1918-1999). Author of exceptional poetic documentaries and one of the 20th century's most avant-garde filmmakers, Tait made nearly thirty short films and the first feature film directed by a Scottish woman, all self-financed. Ignored by the industry, Tait would earn posthumous recognition by the most prestigious film institutions in recognition of her unique way of constructing the poetic documentary. Aurand visits Tait and, in her usual form of a diary, portrays her esteemed filmmaker through the expressive movements of her camera: roses in bloom, farm animals, Orkney landscapes and Tait herself drinking tea. Saturated colors blend with the physical and natural world. Observation and the act of creation. (CG)
Ute Aurand (Frankfurt, 1957) is an experimental filmmaker and one of the great representatives of first-person cinema shot on 16mm. Trained at the DFFB in Berlin (German Film and Television Academy), her work has been screened internationally at institutions such as the Harvard Film Archive, Filmmuseum Vienna, Tate Modern (London), Lincoln Center (New York), Filmforum (Los Angeles) and the Instituto Moreira Salles (Sao Paulo and Rio de Janeiro), as well as part of the avant-garde sections of festivals such as IFFR (Rotterdam), TIFF (Toronto), Berlinale, NYFF (New York), DocLisboa, Courtisane (Ghent) and Punto de Vista (Pamplona). She is a film programmer and archivist at Arsenal. Institute for Film and Video Art (Berlin), a world-class center for international film.
Presentation and Q&A with Ute Aurand