A video essay by artist Lawrence Abu Hamdan examining the militarization of the airspace over Beirut. Through a diaristic collage of cell phone images, UN-documented sounds and reflective narration, the film exposes the omnipresence of Israeli military overflights. What might seem like background noise is revealed as a mechanism of domination, transforming the atmosphere into a sonic battlefield where drones and fighter-jets fly so low and so fast that they sometimes break the sound barrier by shattering windows, while at other times they leave their noise floating in the atmosphere, not loud enough to terrify, but frequent enough to fuel near-constant fear. Hamdan interweaves these records with historical references, from post-war Germany to Gaza in 2021, revealing a landscape of aerial violence that persists over time. (RS)
2024 - Visions du Réel - Nyon International Film Festival - Burning Lights
2024 - IndieLisboa International Film Festival - Silvestre Competition
2024 - Toronto International Film Festival - Wavelengths
2024 - Camden International Film Festival - CIFF award for Best Documentary Short Film
2025 - DMZ International Documentary Film Festival - EXPANDED Section
Lawrence Abu Hamdan is an independent investigator or Private Ear. His investigations focus on sound and linguistics and have been used as evidence at the UK Asylum and Immigration Tribunal and as advocacy for organisations such as Amnesty International and Defence for Children International together with fellow researchers from Forensic Architecture. Abu Hamdan received his PhD in 2017 from Goldsmiths College University of London and in 2021 completed a professorship at the Johannes Gutenberg University Mainz where he developed his research airpressure.info. Past fellowships have been held at the University of Chicago and the New School, New York.