A film about missing images: those of one of the least known uprisings in the history of Spain, the bread riot, led by women in the city of Córdoba in May 1652, protest in the early stages of capitalism. Faced with nonexistent recordings, Monsell explores the stories, spaces in the present day that hold traces of a past and, most of all, the faces. It is in the faces of women today looking to the women of yesteryear for new visions that one might find a continuity of resistance. (LS)
-Festival de Málaga (2020)
-New York Film Festival - Currents. (2020)
-Menorca Doc Fest – Festival de Cinema y Fotografía Documental (2020)
-Alcine, Festival de Cine de Alcalá de Henares (2020)
-Festival de Cine Europeo de Sevilla. Sección Panorama Andaluz (2020)
-61 Festival Internacional de Cine dei Popoli. Sezione Concorso Internazionale. Firenze (2020)
-58 Festival Internacional de Cine de Gijón, Sección ESBILLAN (2020)
Pilar Monsell (Córdoba, Spain, 1979) is a filmmaker, artist, editor, and researcher. She studied Creative Documentary Film at the Pompeu Fabra University of Barcelona (2007) and is currently based in Madrid, where she carries out artistic and audiovisual projects for both television and cinema using some registers, from film-essay to documentary through cinema experimental or memory and archive film.