John Gianvito is one of the most personal voices in contemporary cinema: a born experimenter, his work is scarce and transcendental. Ten years after Vapor Trail (Clark) (2010) and five after Wake: Subic (2015), his monumental diptych on the colonial history of the Philippines, Gianvito takes back up the approach seen in Profit Motive and the Whispering Wind (2007) of exploring obscure paths in American history, turning his attention this time to the writer Helen Keller (1880-1968), the first deaf-blind person to earn a college degree. Seeking out the radical form that might represent Keller's boundless universe, Gianvito composes a portrait that forces the definition of the film itself. (GDP)
-58th New York Film Festival - 2020
-VIENNALE - 2020
-OPEN JURY PRIZE – Linea D’Ombra Festival (Italy)
-Indie Memphis Film Festival - 2020
-Auteur Film Festival, Belgrade, Serbia - 2020
-Human Rights Film Festival, Zagreb, Croatia - 2020
JOHN GIANVITO is a director, teacher, and curator, based in Boston, Massachusetts. His films have screened widely and have included the Toronto International Film Festival, Rotterdam International Film Festival, Locarno Film Festival, FID Marseille, BAFICI, London Film Festival, the Museum of Modern Art (NY), Centre Pompidou, Cinematheque Francaise, the Tate Modern, and Pacific Film Archives. Retrospectives of his work have been presented at the VIENNALE Film Festival, the I Mille Occhi Festival, Cinéma du Réel, and Seoul Independent Documentary Festival.