Marseille après la guerre

Marseille after the war
Billy Woodberry
Portugal, United States of America
11
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Marseille after the war
Synopsis

The timeless master of African film Ousmane Sembène is the subject of a moving tribute in Marseille après la guerre, which is made from photos of the Marseille docks taken in 1947. The images depict the life and struggle of the dock workers, as exemplified by a strike led by African migrants that Sembène himself took part in. A reminder of the kind of exploitation and racism that identified colonialist France and that also helps us understand the tensions and unrest that still plague its streets today.

Organization: Museo Reina Sofía y Documenta Madrid.

Director biography

Billy Woodberry
Billy Woodberry

Born in Dallas, Texas, Billy Woodberry was educated at the UCLA Film School where he was part of a Black independent film movement known as the L.A. Rebellion. He debuted in 1980 with the short film The Pocketbook and in 1984 his feature film Bless Their Little Hearts received much attention at the Berlinale. His first feature film is a pioneer and essential work of this movement, influenced by Italian neo-realism and the work of Third Cinema filmmakers. The film was awarded with an OCIC and Ecumenical Jury awards at the Berlin International Film Festival and was added to the National Film Registry of the Library of Congress in 2013.

And When I Die, I Won’t Stay Dead (2015) was the opening film of MoMA’s Doc Fortnight in 2016. The film premiered at the 53rd Viennale, Vienna International Film Festival (2015), and has been featured at festivals nationally and internationally.

His short film documentary, Marseille Après La Guerre (2016), is a portrait of dock workers in post-WWII Marseille, many of whom were of African descent, and pays homage to Senegalese film director, Ousmane Sembéne. Marseille Après La Guerre received acclaim after its screenings at the Roy and Edna Disney Theater CalArts’ Downtown Center for Contemporary Arts, Los Angeles (2016), Courtisane Film Festival, Gent (2016), and Instituto Moreira Salles, Rio de Janeiro (2016).

Woodberry’s films have been screened at the Cannes and Berlin Film Festivals, Viennale, Rotterdam and his works have been displayed at several art venues such as Museum of Modern Art (MoMA), the Harvard Film Archive, Camera Austria Symposium, Human Rights Watch Film Festival, Tate Modern and Centre Pompidou. Woodberry has been a faculty member of the California Institute of the Arts since 1989.

Finished

Sessions

June

Saturday 01
19:00 h
Museo Reina Sofia. Edif. Nouvel. Auditorio 200.
Presentación de Billy Woodberry

Credits

Language
No dialogue
Director
Billy Woodberry