Billy Woodberry's last film to date follows the Angolan revolutionary poet Mário Pinto de Andrade, a key figure in the anti-colonialist cause in Africa from the 1950s through to the 1970s. In a clear, straightforward documentary style, the film goes through a history of unwavering resistance, one of a charismatic leader who quelled the problematic temptation of nationalism in order to come up with a powerful Pan-Africanist theory that would be decisive in liberating the various territories.
The astonishing audiovisual and photographic archive footage that Woodberry employs is captivating, an indispensable exercise in filmic and historical archeology. Firmly in line with the filmmaker's main concerns, Mário explores an existential and political path that must be reclaimed and, in the process, calls attention to other major figures such as Agostinho Neto and Amílcar Cabral. A work that underlines how important it is to lay down solid foundations of critical thought prior to undertaking a struggle in order to achieve long-standing results.
Presented by Billy Woodberry
Organization: Reina Sofía Museum and Documenta Madrid
Born in Dallas, Texas, Billy Woodberry (1950) was educated at the UCLA Film School where he was part of a Black independent film movement known as the L.A. Rebellion. He debuted in 1980 with the short film The Pocketbook and in 1984 his feature film Bless Their Little Hearts received much attention at the Berlinale. His first feature film is a pioneer and essential work of this movement, influenced by Italian neo-realism and the work of Third Cinema filmmakers. The film was awarded with an OCIC and Ecumenical Jury awards at the Berlin International Film Festival and was added to the National Film Registry of the Library of Congress in 2013.
And When I Die, I Won’t Stay Dead (2015) was the opening film of MoMA’s Doc Fortnight in 2016. The film premiered at the 53rd Viennale, Vienna International Film Festival (2015), and has been featured at festivals nationally and internationally.
His short film documentary, Marseille Après La Guerre (2016), is a portrait of dock workers in post-WWII Marseille, many of whom were of African descent, and pays homage to Senegalese film director, Ousmane Sembéne. Marseille Après La Guerre received acclaim after its screenings at the Roy and Edna Disney Theater CalArts’ Downtown Center for Contemporary Arts, Los Angeles (2016), Courtisane Film Festival, Gent (2016), and Instituto Moreira Salles, Rio de Janeiro (2016).
Woodberry’s films have been screened at the Cannes and Berlin Film Festivals, Viennale, Rotterdam and his works have been displayed at several art venues such as Museum of Modern Art (MoMA), the Harvard Film Archive, Camera Austria Symposium, Human Rights Watch Film Festival, Tate Modern and Centre Pompidou. Woodberry has been a faculty member of the California Institute of the Arts since 1989.