In his feature debut, Bless Their Little Hearts, Woodberry examines the break up of an African-American family after the existential crisis of Charlie Banks, a perpetually unemployed man whose wife is the breadwinner of their home and three children. Dependence leads to frustration, opening up the wound of emasculation, leading him to infidelity as a rabid and desperate way of escape. A sentimental earthquake that faithfully captures one man's unstoppable spiral of self-destruction, one bound up in old codes and the alienating setting of working class Los Angeles.
Organization: Museo Reina Sofía y Documenta Madrid.
Born in Dallas, Texas, Billy Woodberry (1950) was educated at the UCLA Film School where he was part of a Black independent film movement known as the L.A. Rebellion. He debuted in 1980 with the short film The Pocketbook and in 1984 his feature film Bless Their Little Hearts received much attention at the Berlinale. His first feature film is a pioneer and essential work of this movement, influenced by Italian neo-realism and the work of Third Cinema filmmakers. The film was awarded with an OCIC and Ecumenical Jury awards at the Berlin International Film Festival and was added to the National Film Registry of the Library of Congress in 2013.
And When I Die, I Won’t Stay Dead (2015) was the opening film of MoMA’s Doc Fortnight in 2016. The film premiered at the 53rd Viennale, Vienna International Film Festival (2015), and has been featured at festivals nationally and internationally.
His short film documentary, Marseille Après La Guerre (2016), is a portrait of dock workers in post-WWII Marseille, many of whom were of African descent, and pays homage to Senegalese film director, Ousmane Sembéne. Marseille Après La Guerre received acclaim after its screenings at the Roy and Edna Disney Theater CalArts’ Downtown Center for Contemporary Arts, Los Angeles (2016), Courtisane Film Festival, Gent (2016), and Instituto Moreira Salles, Rio de Janeiro (2016).
Woodberry’s films have been screened at the Cannes and Berlin Film Festivals, Viennale, Rotterdam and his works have been displayed at several art venues such as Museum of Modern Art (MoMA), the Harvard Film Archive, Camera Austria Symposium, Human Rights Watch Film Festival, Tate Modern and Centre Pompidou. Woodberry has been a faculty member of the California Institute of the Arts since 1989.