Billy Woodberry's second feature length film, And When I Die, I Won't Stay Dead, serves as another revival of the voices and events that have fallen into obscurity by collective amnesia. In this case, the profile of Bob Kaufman, the beat poet widely considered to be the "African-American Rimbaud", whose legendary aura and premature death in 1986 obscured a fascinating life and creative journey. Woodberry brings him down to earth here, passing on his infectious stripped-down rhythms wrapped up in wisdom and cursedness. The graininess in this found footage puts a face and discourse on this indomitable artist in all its raw splendor.
Organization: Museo Reina Sofía y Documenta Madrid.
Born in Dallas, Texas, Billy Woodberry (1950) was educated at the UCLA Film School where he was part of a Black independent film movement known as the L.A. Rebellion. He debuted in 1980 with the short film The Pocketbook and in 1984 his feature film Bless Their Little Hearts received much attention at the Berlinale. His first feature film is a pioneer and essential work of this movement, influenced by Italian neo-realism and the work of Third Cinema filmmakers. The film was awarded with an OCIC and Ecumenical Jury awards at the Berlin International Film Festival and was added to the National Film Registry of the Library of Congress in 2013.
And When I Die, I Won’t Stay Dead (2015) was the opening film of MoMA’s Doc Fortnight in 2016. The film premiered at the 53rd Viennale, Vienna International Film Festival (2015), and has been featured at festivals nationally and internationally.
His short film documentary, Marseille Après La Guerre (2016), is a portrait of dock workers in post-WWII Marseille, many of whom were of African descent, and pays homage to Senegalese film director, Ousmane Sembéne. Marseille Après La Guerre received acclaim after its screenings at the Roy and Edna Disney Theater CalArts’ Downtown Center for Contemporary Arts, Los Angeles (2016), Courtisane Film Festival, Gent (2016), and Instituto Moreira Salles, Rio de Janeiro (2016).
Woodberry’s films have been screened at the Cannes and Berlin Film Festivals, Viennale, Rotterdam and his works have been displayed at several art venues such as Museum of Modern Art (MoMA), the Harvard Film Archive, Camera Austria Symposium, Human Rights Watch Film Festival, Tate Modern and Centre Pompidou. Woodberry has been a faculty member of the California Institute of the Arts since 1989.