Philosophical reflections on the everyday and experimentation with bodies go hand in hand in this critique of customs bordering on a performance, with a twist towards the emancipation of pleasure as a revolutionary act. Three heterosexual couples go away for a weekend of swinging to bury the morals of 40 years of Francoism, when in fact they can't help but long for a normal loving relationship. Ghosts of the regime or contradictions of the new democratic era.
Gonzalo García-Pelayo (Madrid, 1947) is one of the fundamental cult authors of Spanish cinema. Responsible for dozens of films from 1968 to the present day, including titles such as Manuela (1975) and Vivir en Sevilla (1978), all his work is characterized by its vitalism, transgression and insubordination.