Film about Sarah Madoror's lost movie, Des fussils pour Banta, the filmmaker's first feature, which was seized by the Algerian revolutionary government after considering it excessively ambiguous. Kleyebe Abonnenc uses the three possible screenplays to come up with what this film might be like.
Originally from the Antilles like Sarah Maldoror, he is an artist working for the legacy and continuity of Third Cinema, what its claims consist of, and what the status of such films is today. In the format of installation film, Abbonenc works on various suggestions regarding this lost film in order to try to revive it from out of the screenplay and various photos of the film shoot. The rest of Mathieu Kleyebe Abonnnenc's work deals with the legacies of the anti-colonial struggles in the present.