Aimé Césaire au bout du petit matin

Aimé Césaire at the End of Daybreak
Sarah Maldoror
France
57
Spanish Premiere
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Aimé Césaire au bout du petit matin
Synopsis

Documentary on the négritude movement through one of its founders, Aimé Césaire.

Biography of the director

Sarah Maldoror
Sarah Maldoror

French of Antillean origin, Sarah Maldoror's work is a kind of poetry dedicated to translating the cultural, social and political movement of Négritude into sound and image. A new visual and narrative syntax for a different identity. She started out in theater -Les Griots, the first all-black drama theater company-, after which she studied film in Moscow and then joined the international decolonization movements. As part of these, her work would be on par with the work of theoretical essayists like Fanon and Amílcar Cabral, and would be among the most resounding film manifestations of the global south. After this guerrilla stage, Maldoror would take on issues of black identity through the cultural, political and social movement of négritude, founded by the poets Aimé Césaire, Leopold Senghor and Léon Damas. She would come to think of her filmmaking as a way of translating the poetic word of these writers into images. Her work includes fiction film, documentary film in a broad sense (reportage, portraits, landscapes) and theater.

Finished

Sessions

May

Thursday 16
19:00 h
Museo Reina Sofia. Edificio Sabatini, Auditorio

Credits

Language
French - Subtitles in spanish and english
Director
Sarah Maldoror
Cinematography
Maurice Perrimond
Editing
Françoise Belloux
Sound
Jean-Claude Brisson
Production
Jean-Claude Guidicelli